Systems employed by the Art + Artificial Intelligence Research Group that convert analog artifacts to digital artifacts (analog-to-digital) and digital artifacts to analog artifacts (digital-to-analog), and the process of such conversions. Information is lost and interpolated in both conversions.
The drawing of a conclusion about some missing information by a process of deduction or induction based on present information. For example, given only the fragmentary statement “Claudel made__ version of the work: one she placed in the Hotel Biron and on she gave to ___,” we can interpolate that Claudel made two version s of the work, but we cannot tell to whom she gave one of them. In its simplest sense, interpolation means that we are able to reconstruct some lost portions of a damaged work, as is routinely done in archaeological reconstruction. On a more complex level, interpolation is one of the stages in the phenomenology of interpretation, since meaning is currently understood as something theoretically infinite produced by a finite number of indications within a text. Compare metaphysics of presence.
Source: Sharon Grace Glossary
Laura U. Marks
I work on media art and philosophy with an intercultural focus, and on small-footprint media. My most recent books are Hanan al-Cinema: Affections for the Moving Image (MIT, 2015) and Enfoldment and Infinity: An Islamic Genealogy of New Media Art (MIT, 2010). I program experimental media for venues around the world. As Grant Strate University Professor, I teach in the School for the Contemporary Arts at Simon Fraser University in Vancouver, Canada, on unceded Coast Salish territory of the Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) nations.