Bruno Latour has many faces. He is known to many as an ethnographer of the world of everyday technology who in meticulous studies has shown how seemingly trivial things, like a key or a safety belt, actively intervene in our behavior. Others know Latour as an essayist very well versed in theory who charged the philosophers of postmodernity—principally Lyotard and Baudrillard but also Barthes, Lacan, and Derrida—that their thinking merely revolves around artificial sign-worlds and who confronted them with the provocative assertion that “we have never been modern.”1
A rhizome has no beginning or end; it is always in the middle, between thing, interbeing, intermezzo…The middle is by no means an average; on the contrary, it is where things pick up speed. Between things does not designate a localizable relation direction, a transversal movement that sweeps on and the other away, a stream without beginning or end that undermines its banks and picks up speed in the middle.
The rhizome itself assume very diverse forms, from ramified surface extension in all directions to concretion into bulb and tubers. When rats swarm over each other.
The rhizome is altogether different, a map and not a tracing. Make a map, not a tracing. The orchid does not reproduce the tracing of the wasp, it forms a map with the wasp, in a rhizome. What distinguishes the map from the tracing is that it is entirely oriented toward an experimentation in contact with the real.
A Thousand Plateaus: Capitalism and Schizophrenia Gilles Deleuze and Felix Guattari
An elongated, usually horizontal, subterranean stem which sends out roots and leafy shoots at intervals along its length.